At The Speed Of Light!

​After a heavy and lengthy scourge with the Flagellum, our heroine has lost consciousness, her body is limp, her wrists are released from the shackles that held her arms high above her body and stretched to the sides. Time has stopped for her when, because of the intense pain and suffering, her mind could not take it anymore and went totally dark or, if you prefer, blank.

Perhaps a few minutes, or hours later, her torturer turns her around to face the ceiling above, her back bent over the contraption under her. Once again her wrists are attached to the shackles on the walls to the sides. She is set on the second position on The Wheel for a lot more torture.

As we continue to travel in Spacetime at the speed of light, I place myself in 2003, when Jac was contacted by a distributor from The Netherlands, he wanted to know about Red Feline On The Cross. He was on his way to Las Vegas to a Bond-Con… a convention of bondage films and toys. Jac was curious and decided to meet him there. When they met, Jac said something like Why are you interested in an old film like Red Feline On The Cross? Marcel, that’s his name, said something like, for people that hasn’t seen it, it is not old, is new. Another thing he said is. I was asked about this title by my clients, DVD store owners, they never ask for a title, they just order DVDs of whatever. But in this case, they wanted Red Feline On The Cross. The guy was impressed, obviously, but more importantly, he was right about something, a film is not old for someone that hasn’t seen it. Time is relative in this case.

Red Feline On The Cross our second best seller of all time, it used to be number one but Maleficarum bumped it down to second, is discovered as a new film by someone, somewhere, all the time, as that photon representing a star being born billions of years ago is a new sight for our little eyes. Just like some people I know discovered the band RUSH, because the drummer died and it was a big deal.

Margot: I have to agree with Ed when he mentioned that most if not all of your films are “period”, in that they utilize sets like what I see in this newest release, that being a dungeon along with a wheel rack and other medieval torture instruments being put to use. The only difference I see between this and Justine is Jac is wearing a modern shirt and of course, your model is covered in tattoos.

Ralphus

The setting is contemporary, a couple that have an encounter, he has a ‘playroom’, she wants to see it… and so on. He just happens to have a nice rack wheel and chains and whips… maybe he makes movies.

Ms. Reine Margot, howdy, You got a picture of a movie called the Specters of Blood Castle, but I can’t find it on the site to see what it’s about. Would you put in a line or two about this one in your next Red Feline commercial, please?

mundane

I compare our films to the massless photons and gluons, the fastest objects through space. Particles that only use the space component, and for them, the proper time is always ZERO. A photon doesn’t experience time. The photons from the big bang are captured by our detectors in the same instance that they come into existence although for us it happened 13.8 billion years ago. For a photon, the beginning and the end of the Universe, and everything in between, happens at the same point in time. Is that is cool or what?

The internet is like the universe, we post something that for us happens at that very instant, but someone will see it years from now, and for that person it will come into existence at that very moment but the post itself exists in that space, it doesn’t experience time. In the case of Specters Of The Blood Castle, it is a film at the zero stage until such a time it comes to life, it is not the only film in that state. DoubleCross is right there too, not to mention Seven Days on the Cross 5.

I’m practically quoting Jac there, from the concept for the film 69 Année Érotique. It has to do with time, space and getting old and yes, pain and pleasure that exists in space but does not experience time.

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