Yahel about to take over the world

I received this message in my X page (formerly known as Twitter):

Unfortunately, the complexities of micro budget independent filmmaking have meant a delay in releasing our survival horror movie Run From Hell in 2023, but we’re committed to delivering the best version of what everyone involved has produced. It rocks, can’t wait for you to watch it.

B305Productions

We’re not the only ones with delays in releasing new films. It appears to me that it is pretty much the standard for micro budget independent filmmaking. And I’m sure the micro budget for Run From Hell was way over 25,000, which is below micro budget in the industry… and so… our Via Crucis continues… but not for long.

Jac went silent. So did I.

I had a few comments here and there and I received some interesting tidbits from Jac about his comings and goings which I’ll be sharing. Silence does not mean that things are not happening. We are as busy as ever, maybe even more and a lot is happening and in big ways. But there are also some very sad news. Chuqui, the star of many movies, like Sirwiñakuy, Pygmalion, 69 Année Érotique passed away on Tuesday, December 12th, at 10 30 in the morning. He passed in Jac’s arms.

When Jac announced Chuqui’s passing in FB the comments of support and condolences started pouring and for many days after that.

Chuqui’s passing happened two days after Jac received a brand new computer from New York. An amazing machine which Jac could not even think about because he was dedicating his time to make the last hours of his beloved 20+ year old cat more comfortable.

At around the same period of time, Jac’s brother arrived from NY, where he lives. The last days of 2023 were dedicated to a big number of family events. And with that, 2023 ended and the new year, 2024, began; but the family events did not stop. There were two birthday parties for Jac’s cousin who turned 82, that was early in January. Days later, Jac’s Aunt turned 95, there were three parties in three different days for that magnificent event.

For Jac, taking most of the time off, not all of the time, was a good thing to do. It was a vacation of sorts, after the stressful year that gave us two large movies plus a lot of other work.

Seditiosa is getting ready to go out in the world to impress people with its challenging story. All who have contributed, donated, pre bought it, have already gotten their preview of the film. Some have already commented.

WOW…..great movie !!!!!

Some might not be as happy, but that is to be expected. Everyone has expectations and they are all varied, not everyone will be raving. It happens with all films, with all of our films, with everything in life.

Some recent complaints demand an explanation about why we have not released the film yet.

We’re getting ready but we must first have a good strategy that will find a large audience. We have to reach out beyond the three or four forums where we share our work on a steady basis with the few fans we have there.

Each platform where we are going to be uploading the film has their own requirements, demands and characteristics, we are working to meet them all. We can’t rush it as we did the production and most of the post. But, as Ligia said to Jac during a tea time moment, “even if you release the film in February, it’s still record time”. She’s right.

The production of one big film, Justine, was completed in December of 2015. The film was released in 2017, almost two years later. Seditiosa’s production was completed in July 2023, we had a pre release to our supporters before the end of the year, that’s 4 months later!

Someone commented that we should hire an editor to speed things up. Hmmm. An editor will charge around 1,000 dollars per week. A film takes at least 6 months to edit, a normal film. Some might take 9 months. An editor would cost around 4,000 a month. That’s 24,000 for a rushed editing job of 6 months. The entire budget of the film was less than 25,000. That’s why we don’t have an editor. Jac is happy to direct, produce, edit a film for a share of the profits, if any.

Until recently the work on Seditiosa was mainly technical, and it was going slow because of some unexpected computer problems which were solved when the new computer arrived from New York.

There were some private viewings with the main cast and crew, to get opinions, reactions and so on. Although the general consensus was that it was great, some pointed to those little details that are now obvious to us and the problems were worked on. All of them and then some.

A first design for the official key art for Seditiosa

The release of Seditiosa will be announced as soon as the strategy has been laid out to maximize its impact and all the materials are ready and looking great. As I said before, we need to have a plan and all the materials to fulfill that plan. That includes the film, trailer, key art and all the many assets needed to upload them all over the place. It’s a lot of work.

The one issue is… how far we want to reach and that is our principal concern right now.

Another big issue is that we are re-organizing the company. From the end of 2015, when Amy returned to the US to stay, all of the work fell on Jac’s hands and Jac’s alone. A huge documentary took most of Jac’s time in 2016, he managed to do some ‘small‘ productions between 2017 and 2018 with a limited crew and small cast. He also travelled to Europe to show the Doc he did for Nat Geo way way back. Then Covid appeared and all the work was limited to Jac and Dani and later Mila. A good number of productions. Then, at the end of 2022, Jac ventured back to larger productions with 69 Année Érotique and Seditiosa. Not an easy task and one full of stress, lots of stress and it’s not over. One comment Jac made to me was I think I rather turn my attention to rescuing cats and dogs, it’s a lot more rewarding. He wasn’t joking. Thus the need to reorganize, to see where will our big efforts go and what kind of films we want to make. One possible plan is to launch a streaming platform with all our films and maybe other films as well. The know-how is there, it costs a lot, but if it reaches a good steady audience it might be worth it and it might generate funds to make more big movies.

I’ll have more news later. BTW, there are times when I disappear for months and no one notices.

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