The Fourth Exercise
Bea was nervous as she went up the ladder. Jac could understand. Amy had a terrible experience when she tried it for the first time. The experience scared Jac a lot, so now he’s extremely cautious. After Bea was up at a level without hitting her head on the ceiling, she put her legs over the rung, set her knees in the proper place and Jac helped her to go lower until her back was against the ladder.
I can’t help thinking that they should be making a movie, all three of them, with that set up, not just video clips for a demo or demos. A real movie.
With Bea on The Ladder, feeling the blood rushing to her head, Dani on The Wheel straining to overcome the discomfort to her back, and Mila suffering on The Cross, the scene was complete. It was quite a sight. Jac left them to suffer while he recorded the event. He said to me when preparing the pictures, ‘they were magnificent‘.
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The Post Of Woes
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The Post of Woes scene with Bea calls for an intense flogging, until she faints. While she’s flogged and interrogated, a scribe will be taking notes. There won’t be much to write because Odilia doesn’t have much to confess, she’s just a girl in the wrong place at the wrong time. She’s not even a nun, she is hiding in the cloisters from the wrath of the Marquesa.
After Odilia faints, the torturer will throw water at her to bring her back. The Confessor/Inquisitor, will again question her, just like a well trained journalist would do to get the proper sound bite. He will ask again and again until he hears the words he’s looking for. Which can be very annoying to the person being questioned.
Hello, Margot. THANK YOU for the VERY PROMPT reply. FIRST, the three photos of Bea on the whipping post were PERFECT, PRECISELY PERFECT! Exactly what I hoped the scene would be, despite the fact they were “test shots”. Bea’s arms were set correctly…
Pícaro
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A Nasty Cold Front Got In The Way
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It’s been said that No News is Good News, however in our work, No News bring about questions like: Any news?
I believe that question is in a lot of people’s minds. (…) What I know right now is that for the time being Jac is concentrating on the big picture, because of the pressure that comes from deciding dates and all of that, the big picture takes the big stage. In Jac’s case it does in a very dramatic way. I’m never surprised, I noticed a pattern occurring with enough frequency so I cannot call it a coincidence. It’s a method.
But let me track back a bit. Maleficarum Monxa Mala is at a particularly critical point. This is the point when a project is on the verge of going into production. It’s not here, it’s not there, it’s on some kind of edge. Things seem to be in place, but, at the same time, they are not. And why is that? The cast is there, some of the crew is there, the location is there, most of the props are there, most of the costumes are there, some of the money, 10%, is there and yet…
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