Can’t Wait For The Next Film!

Some of our fans express a strong desire for films to be created as if by magic—envisioning a process where a concept becomes a fully realized film like instant coffee and without any obstacles. The hope is that such immediacy would satisfy everyone’s wishes.

If we could think of a film and like a miracle it comes to life in seconds, minutes, hours, unimpeded, the filmmaking process would seem magical and effortless. Such an experience would fulfill the hopes of all who long for immediate realization of creative ideas, offering a world where concepts are instantly transformed into finished films without delay or obstacles. That doesn’t happen, not even with AI.

The journey from the initial spark of an idea to the completion of a film is a lengthy one. Once a concept is conceived, it often takes months—or even years—before the finished product is ready to be shared with audiences. This extended timeline is a consistent reality in the world of filmmaking.

As a fan, it is entirely normal to experience the wait for the next season of a beloved Netflix series. The anticipation builds as viewers patiently look forward to new episodes, often waiting two or three years before the next season appears on their favorite streaming channel. This pattern of waiting is simply a part of life for both creators and fans alike.

Acknowledging this reality helps set expectations and reminds us that the creative process, though time-consuming, is essential for producing the stories we cherish.

wanttoknowmore I agree AI is still not at the full film stage. However, as I stated before, it can be used to augment scenes with background or non-central characters – for example, a crowd watching a crucifixion as viewed from the victim looking down.

We are currently exploring the use of artificial intelligence for scenes and sequences that require a large number of people or elaborate constructions from specific historical periods. This experimentation aims to address the logistical challenges involved in creating such complex environments on film.

For scenes where a significant number of people are depicted watching a character—such as a view from the perspective of someone on a cross—it is essential to set up the camera behind the character. The shot needs a clear point of reference, which could be the character’s head, shoulders, or arm, to establish the perspective of those below or within the scene. While arranging this point-of-view during production is not difficult, it does require careful planning and coordination.

To utilize AI effectively in these scenarios, the point-of-view shot with a reference to the person on the cross must already exist. In other words, the necessary footage must be captured during production to serve as the basis for further enhancement using AI technologies.

It doesn’t mean that AI will actually generate the images the director has in mind. Maybe, just maybe, after many tries. Like the test below with one picture from Seditiosa.

wanttoknowmore It also looks like these folks are setting up yet another fundraising pitch, be it for pre-production or as a “pre-release purchase” to aid in post production. My advice based on experience is buyer beware. They promise big and deliver small, and late, if at all. If you do contribute, good luck, as they also have issues following up on promised deliverables like download links.
My suggestion regarding raising cash is to actually FINISH AND RELEASE the various projects that has been in post-production for over a year.

We have decided not to pursue any fundraising activities for the moment, if ever again. Instead, our focus is on returning to our original system: creating films, selling them, and using the resulting revenue to produce additional movies. This approach allows us to work at our own pace, with the resources we have available.

While our production model grows more sophisticated, we are introducing new methods for distributing our films. These innovations in distribution reflect our commitment to reaching audiences more effectively while maintaining independence in the filmmaking process.

Film postproduction operates according to its own unique rhythm and schedule. The timeline for this phase is heavily influenced by the nature of the raw materials, their specific requirements, and any complications that may arise during the process. For a typical 90-minute film, completing postproduction generally requires a minimum of eight to nine months. However, when multiple projects—such as three or four films—are being processed simultaneously, the duration extends significantly. In some cases, the completion of postproduction for certain films may exceed one year.

Projects are completed according to unwritten priorities. For instance, the film Justine, which was produced after Pygmalion, both at the end of 2015, was released in 2017. In contrast, Pygmalion received its theatrical release only in 2023 and has not yet been made available elsewhere. Currently, there are ongoing negotiations to secure for a broader worldwide release.

Over the course of approximately three decades, our team has built an impressive production record. Within this timeframe, we have successfully created ninety films, (90!!) averaging three films per year. This level of output demonstrates our dedication to consistent and sustained creative work.

Among these ninety films are major documentaries produced for National Geographic, highlighting our ability to deliver high-quality content for renowned international television networks.

Of the ninety films produced, seventy-four are currently available or will soon be available in our Red Feline store. This represents a substantial portion of our total output and underscores the breadth of our catalogue accessible to audiences.

In summary, the volume and consistency of our productions over the years reflect a robust and reliable creative process, affirming our position as a prolific producer in the industry.

JDArts Last year Simonne made her directorial debut with a documentary; I suppose she’ll also contribute some of her experience to Crux Films’ productions alongside Daniela, Mila, and Jac.

The hugely talented artists who choose to work with Jac on these filmmaking projects are motivated by more than financial gain or the prospect of acting roles. Their primary interest lies in the opportunity for learning and personal development. For instance, Amy initially joined the team as an actress. After sharing a script with Jac, he recognized her potential and gave her the chance to direct her first film, Sirwiñakuy. Following this experience, Amy went on to direct additional films. One of her works was showcased at a film festival, many of them were featured at international film festivals, but one in particular was at a great festival where it caught the attention of representatives from a university. So impressed were they by her achievements that they invited Amy to design and lead the university’s film program that didn’t exist until then. She accepted the offer and now she runs the program.

Many of the talented actresses who have worked with Jac have gone on to pursue diverse and successful careers in the film and arts industries. Carmen, for instance, continued her studies in film and drama in France, later making her own films and becoming actively involved in theater. Bea also chose to further her education in film, ultimately deciding to focus her skills and attention on camera work. Mila, after studying both film and art, now runs her own ART oriented business. Simonne ventured into documentary filmmaking and is planning to advance her career in that direction. Ligia is presently working with a variety of companies producing promotional videos. Those are just a few examples.

wanttoknowmor I saw that. Haven’t heard her mentioned in the “new year plan”. Wonder if she met someone at college and has decided she doesn’t want to be shown naked anymore.

Each member of the team, including Simonne, pursues her own interests and personal goals outside of their collaborative filmmaking work. This diversity of aspirations is a natural aspect of life. Over time, actresses may encounter new people, start families, or follow different paths. There is no expectation of exclusive or lifelong commitment to Jac or the film production company; rather, team members contribute their skills and dedication for as long as it aligns with their personal journey. When the moment comes to move forward, as it did for Carmen, Amy, Veronique and Bea, to name a few, they do so, carrying with them the experiences and growth gained through their involvement.

Even after pursuing their individual paths, many former team members maintain the option to return and collaborate on new projects. This ongoing possibility of rejoining the group is a common occurrence, reflecting the flexible and supportive nature of the team’s dynamic. Members are welcomed back whenever circumstances allow, fostering a lasting sense of connection and mutual opportunity.

JDArts Well, she never wanted to be shown completely naked in the Crux movies she starred in; she only agreed to show her breasts, which is why she was always crucified in a loincloth.
But I think she’s still working with Jac, Mila, and Daniela.
She’ll be one of the stars of the four crucified women.

Simonne’s commitment to her craft is evident in the variety and depth of her performances. While some of her roles have involved scenes with nudity, it is important to emphasize that there is never any obligation for full nudity among the actresses. Each team member participates in a way that aligns with her own comfort and boundaries, and this approach is fully respected within the group.

Looking ahead, Simonne is slated to portray characters in at least six upcoming films, including the production Crucified Four. Her remarkable talent consistently leaves a lasting impression, and her performances are celebrated for their memorability and depth.

wanttoknowmor IF they ever actually make those films, let alone release them.

Our experience demonstrates a clear track record: whenever a film is produced, it is eventually released to the public. While some projects may encounter delays and are temporarily shelved, they are ultimately completed and made available when the appropriate time arrives. This process is not unique to us; it is a common occurrence in the broader film industry, including major studios such as those in Hollywood, where films may remain unreleased for extended periods due to reasons understood only by the producers.

It is important to recognize that the timing of a film’s release can vary. Some films are ready for distribution more quickly, while others require additional time before they can be shared with audiences. Our commitment remains to ensure that every project sees completion and release, no matter the duration of the wait.

For instance, during the period from November 2010 to March 2011, three films were produced consecutively, Maleficarum, Barbazul and Le Marquis de la Croix. These films were subsequently released according to a reasonable schedule, spanning from the end of 2011 to the end of 2013. This approach illustrates our dedication to bringing each production to fruition.

Cruxlover24 I don’t understand, it is not for sure they’ll make those movies?

Predicting whether a film project will ultimately be produced is, in many ways, a futile exercise. The likelihood of production becomes more tangible only when a project advances to a significant stage in its development. At this point, the momentum and resources invested make its realization more probable. For example, the project Crucified Four exemplifies this process. Although it has experienced various fluctuations and challenges throughout its development, it remains active. The continued progress of Crucified Four demonstrates the persistence and dedication

This process requires us to account for the practical realities present at every stage, starting from the initial development of the film, where Crucified Four is now, moving through the phases of production, which are under planning at this point, and postproduction, which is far ahead, culminating in its eventual release. Each stage presents unique considerations and challenges that must be addressed to ensure the successful completion and delivery of the final product.