A Change Of Pace

As we wait for the cash raised at IndieGoGo to appear in our bank account we are considering our options and laying out the plans for the near future.

The Threesome of Constant Pain got together on Thursday and after deliberating over water and chips, they arrived to some decisions. The surprising one was that the production of 69 Année Érotique will commence next week.

Mila and Jac will get together this coming Monday to decorate the first set to be used in the film, the Living Room, where Jac and Simonne will have a good number of romantic and surreal scenes for at least three days, followed by a couple of sexy days when Dani will have her scenes in that nicely decorated set; that’s before the production moves to the Bedroom where Simonne will be the first to get a taste of very naughty s&m scenes in the film.

69 was not the main topic of discussion, it was just the easier subject to deal with because most of what is needed in the production of that film is in place and we can proceed right away.

The main topic was Seditiosa. The work in the Grand Female Christ movie is in the stage of pre production, with the location, costumes and props as the most urgent. Gina, the dedicated production manager, was given the task of getting an estimate on the basic costs for the ancient Palestine and Roman costumes and the swords. She’s also going to be in charge of making the costumes, like Amy did before, for Maleficarum.

Mila, who has been assigned the most creative job of Art Direction in both films, will get busy making the bust of the emperor which will be destroyed by Judith (Dani) the one courageous although unfortunate action that will bring about the inevitable, the suffering of a long and extremely painful execution on the cross for The Crucified Three.

Jac used the opportunity to show Mila and Dani the Roman Helmets. They were both impressed, they tried them on, and suggested what to do to improve their fitting on the heads of our soldiers who might not have heads big enough.

Jac has the urgent mission to go to the location tomorrow, Sunday, to look around and decide exactly where the different scenes in the film will take place. Once the decision is made as to where exactly the crucifixion will take place, the work of making the crosses will begin.

Deciding the area where those instruments of execution will be built is important. Jac has to know what kind of terrain they will be dealing with, what they will need to have a steady and solid base to safely crucified those beautiful ladies as well as all the rest of the details for a successful crucifixion.

He’s also going to set the deal with the administrator, leaving the dates open for now.

Jac has some ideas for the building of the crosses, he used a couple of them in the past in a few movies. His main concern was and is how to provided support for the feet without loosing the effect of the horrific. He’s also preoccupied with the style of the sedile/cornu he is considering to have in the crucifixion sequence.

The intention is to make the agony on the cross to look as atrocious as it needs to be without having the Crucified Three to suffer way too much. They will suffer of course, a lot, it cannot be avoided, but within reason, of course. It must be considered that they will be up on those crosses for two days, many hours each day. Sometimes under the burning rays of the sun, if there are no clouds in the sky, and sometimes suffering the cold Andean winds of the evening.

Jane (Amy) suffering on her cross

As we move on to the stage of production for 69, the pressure grows and time seems to shorten. But we are going to handle our schedule in ways that we can manage everything nicely, spreading the work over the next few weeks wisely and effectively.

A new era is beginning. We’re returning to the Big Production Values Movies style of work that we had before resulting in great films like Justine, Olalla, Dead But Dreaming and others. Seditiosa and 69 Année Érotique are the key to open the flood gates.

Our campaign at IndieGoGo is over, and it ended with decent results. We are waiting for those funds to get their way to us. We are also expecting some additional funds which, if all goes well, will get us close to our goal of 25,000.

But you can still support our work!

Join Patreon and get the updates on our projects, with great pictures and videos, here:
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