Bea is Away, Amy is a builder, Carmen has a show

The week that ends had plenty of action everywhere. Jac and Bea completed the Slanted Rack sequence for the new production. They even had a lot of The Transition Scene done. The coming week is carnival, there will be very few days to work intensely, but they will do as much as possible for The Wheel[/img] sequence. Bea went to a concert by the Austrian group Belphegor, who are touring these parts. She will return very inspired from that trip.

Meanwhile in the US Amy has been pretty busy too, she’s supervising the construction of a movie studio, complete with a sound stage, props workshop, post production suites and more. From building props singlehanded she went to supervising construction workers and architects to build the movie studio of her design.

At the same time, in France, Camille, of Martyr fame, opened a big art show in Paris with a big performance entitled Interview With Found Objects She’s very much into the Parisian Avant Gard art scene, she always was, even Red Feline on the Cross was an Avant Gard performance for her, that’s how she described it when she used it as part of her dossier for the university in France and it was well received, not only she was accepted, but she got a big scholarship.

Looking very good! I’m really looking forward to both the slanted rack and AOH whipping scenes. The whip marks here look more convincing than they did in Justine. So that’s great too. I’ll be sending you an email soon about the wheel scene.
DS

The Wheel is the focus of our esteemed commentator at the Club, and because of his contributions, The Wheel is getting a lot of careful attention to make all of the details and backed recommendations work to perfection. The Slanted Rack and The AOH Whipping Transition scenes are looking fantastic, there’s something about the way Jac is working with the lights, back to his Chiaroscuro style of lighting, that makes the images very poetic in a Caravaggio/Renaissance kind of way. I expect that this film will be very successful with our hard core fans. I am discussing more details of this production at the Red Feline Club.

I just wanted to pipe in and say I think Bea looks great, her facial expressions and emoting looks delicious, and I’m way more interested in the current project than I was in the previous outing. I loved Amy in many of the other projects, but the last one was simply not up to par. I think a different face might bring a refreshed approach, which is always a good thing.
Sardu

Bea and the new project, The Passion of Isabel, are looking great indeed! With every new shooting day, it just gets better. It was a little difficult at first, it’s been a while since Jac did camera work as well as directing and acting and doing the FX and being a gaffer and so on. He was hardly familiar with two of the five cameras he started using, but soon he was in top form. It was also difficult for Bea at first to work in a new project where the entire movie is on her shoulders, and on her back, and front, and feet, and wrists, and breasts, and eyes, and mouth and… her entire body. She’s doing a fantastic job, the pictures I get tell that story. I will not discuss the future, not yet, but I wonder about how a contemporary movie like Agent Y would look like with her. Amazing, I bet.

That’s it for now, there’s still a bit of time to influence what happens to Isabel at The Wheel of pain or, if you hurry up, maybe, just maybe, The Spanish Horse. We have TWO days to consider. If in the next TWO days there’s a clamouring for the scene and said clamouring comes with offers of generous contributions, then Bea and Jac will consider it. Visit the Red Feline Club for more updates If you haven’t done so yet! Get involved, contribute to a good cause!

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