Isabel and her seven days in captivity.

The Passion of Isabel had seven days of production, all of them in The Cell, where Isabel spent her time wondering if she would be freed. Raped three times, flogged and without much to drink or eat, she learns that her fate is in the hands of her captor, Torquemada. The first three sequences of The Passion of Isabel are done. Tomorrow Isabel will be dragged out of The Cell and into The Dungeon where the naked victim of Torquemada will be tortured without mercy for the next two to three weeks of production. The question is will Isabel’s body will be destroyed first? Or her Soul?

The Passion of Isabel is in its second week of production, with at least two or maybe three more weeks of torment for poor Isabel. It will depend on the complexity of the scenes and the time it takes to carry them out. The work is very, very involved and tiring, specially because it is just Jac and Bea doing all the work. In the next two days they plan to complete one sequence that has already been planned. Not much input will be needed. Isabel will stand on the spikes, her neck attached to a chain hanging from the ceiling, her waist and wrists attached to a hanging heavy metal ball. In that torturous position she will be whipped, raped and who knows what else.

During the coming two weeks a lot can happen which has not been totally decided. There’s room for input. Perhaps Torquemada would accept the suggestions of like minded fellow perverts. There are Three situations that beg for ideas. There’s the slant rack, where Isabel will be stretched, her feet will suffer the bastinado, her body will be subjected to beatings and pierced with the stiletto… and on and on. Torquemada is open to suggestions from the members of Red Feline Club.

We received a beautiful e mail complementing our work and I had to share it:

Hello, I wanted to take a few minutes to make a few comments regarding your work. I first discovered your films many years ago, shortly after you released Red Feline on the Cross. I have just now been re-watching Crux Bride and it prompted me to write and say a few good things about your efforts. In my humble opinion, there is nothing on the market that comes close to matching the artistry, creativity, beauty and abject, ethereally beautiful eroticism you bring to your films. On what has obviously been a rather limited budget, your work is simply superlative. The set designs, the lighting, the cinematography, the actresses, the visceral, stark beauty of it all is, at times, breathtaking. You play on the most basic of human experiences; pain, fear, suffering, sexuality and yes, even joy, longing and completion. Your work is, at its barest root, elemental. I want to thank you for putting forth such effort and, when you first began, for risking your money, creativity and energy on something for which success was not guaranteed. It took a lot of fortitude and resolution for you to have produced your body of work.

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