Fiend Fatale Blocked!

In May 2026, La Paz and neighboring El Alto became the center of a widening wave of road blockades and anti-government protests in Bolivia. The mobilizations began around undefined grievances, it escalated into calls for President Rodrigo Paz to resign. By mid-May, major access routes into La Paz were disrupted, affecting food, fuel, medicine, transport, and hospital services.

Cruxlover24 Hi Margot,
Are there any updates about Danielle’s movie? The one you were shooting?
JDA Daniela*
Cruxlover24 Thank you, yes. What about Daniela’s movie?
JDArt I don’t know, I don’t work with Jac Avila. Thank you for respecting Daniela Borda’s name
Cruxlover24 I’m looking forward to have some news, regarding that new movie they were making.

Under those stressful conditions, and after a very long break, Ligia, Dani and Jac managed to make it to the set to continue work on Fiend Fatale. Their previous shoot for the new film had taken place on April 21. As it was previously announced, Dani traveled to Peru for a couple of weeks shortly after the April shoot. Although she returned at the beginning of May, the team could not restart immediately and several delays kept them from resuming as planned.

Ligia had work commitments that postponed the schedule further. Dani then faced personal issues that added more delays. To complicate matters, the city blockade by what Jac refers to as the NarcoSindicalistas — a story long enough to deserve its own documentary, intensified and made it very hard to move around.

When the team was finally able to return to work, on Tuesday, June 9, in the year of a new cycle 2026, they picked up the story where they had left off. Dani dragged Ligia to the center of the set, where chains had been arranged for the scene.

The sequence unfolded in stages: First, Dani attached Ligia’s ankles and wrists to the side chains, the restraints spread Ligia’s arms and legs into an X cross-like position. Dani then began teasing her, gradually building the scene’s tension.

Two days later, on June 11, Mexico beat South Africa in the first game of the World Cup while Jac watched the game while reviewing and capturing still images from the footage of the Fiend Fatale session.

Dani contacted him to ask how the shot of ‘hitting the camera lens with Ligia’s head‘ turned out. She was referring to a shot in the scene, when at one point Dani pushed Ligia’s head forward creating the moment later reviewed in the captured footage.

To show the progression of the scene, Jac captured three still images: Before the impact, the moment of contact and after Ligia’s head hit the lens.

Jac filmed the sequence from several angles before moving in for a close-up. Once he was ready, he gave Dani the signal to continue.

Dani pulled Ligia’s head back by the hair, teased her briefly, and then pushed her forward. Jac was positioned too close with the camera, and Ligia’s forehead struck the lens, causing the image to go dark.

Ligia’s head struck the lens with enough force for the camera microphone to capture the impact. Dani immediately reacted by grabbing Ligia’s forehead and exclaiming, “Oh my God, I’m sorry.”

Dani reacts to the accident grabbing Ligia’s forehead.

Ligia was fine, and the brief scare quickly turned into comments and laughter. Once everyone confirmed that the moment had not caused any harm, the team continued filming.

They repeated the close-up shot and then captured several long shots of the same scene. By the end of the session, the mood had relaxed, and they shared a good laugh about what had happened.

The group agreed to meet again the following week to continue with a more intense sequence focused on Ligia suffering some very nasty tortures at Dani’s hands.

Given the difficult conditions in the country, including shortages affecting food and transportation, it remains uncertain whether the team will be able to keep a consistent production schedule.

The current plan is to meet at least two days during the week to continue filming. At the same time, Jac is balancing a heavy post-production workload with promotion tasks for several releases on the horizon.

petraherz: In one of the films featuring Camille, she is hoisted up onto her crossbeam and her feet are nailed to a movable block. JJ kicks it, allowing us to admire Camille’s beautiful body in various poses. Which film is this?

The scene you described appears in the final video Camille and Jac made while testing all the steps necessary for a crucifixion sequence for a future film.

The videos are especially intense because of Camille’s performance and the physically demanding, stressful positions required for the scene.

The videos are currently being prepared for our streaming channel, three are already there and all of them are available through the store.