Moving On Looking Back

In the middle of the first week of July in the year of our Lady, 2025, Jac dragged Dani into the dark dungeon, where he took some time before that day, to set up the conditions in which he was going to make the beloved actress go through a very intense session of torture, mostly whipping, a lot of whipping, so much that by the end of the session Jac asked how are you feeling?

She was putting her bathrobe on when she responded, adolorida, perdí la costumbre (in pain, I lost the habit)

The intention for that day was to set up the beginning of the first sequence in a new Red Feline Production, with different shots of the beginning of the sequence, the entrance of Dani to the dungeon, her wrists and ankles in metal shackles, the setting up of Dani facing a mirror, chaining her to the metal contraption, perhaps some whipping to set the mood. That was the intention.

They shot many angles of the walking in, it was painful, those shackles holding Dani ankles pressed on the bones a bit too much with every step she took thus every time she had to walk to her position she was in pain. Once in place, Jac chained her waist to the metal apparatus and after completing his task used the whip on her, a little.

But then, after shooting enough angles of the beginning of the sequence, Jac began to do shots of the whipping, many shots, the shooting went on and on as the lash fell on Dani’s back.

At the beginning most of the lashing was on Dani’s covered back. The black garment she decided to wear, instead of the white she was wearing when the intention was for Mila to do all the torturing, protected her skin in a relative way, she fell the lashes falling on her back, her arms, her butt, her hands, her legs.

Jac worked on different angles of the first part of the whipping, not even thinking of going further than that, but then he felt inspired, he grabbed the part of the garment over Dani’s shoulder and ripped it open, exposing most of her back, and went back to lashing her and as the whip marks became more and more evident on Dani’s exposed skin, Jac increased the intensity of the floogging.

After shooting the bit of the ripping off one side of the top of Dani’s garment a few times, Jac went on and on, from different angles until he was totally satisfied that he had enough lashes before going into the next part of the action. Ripping off the other side of the top of the black garment.

Again, that action required a few angles that once completed Jac felt free to indulge in a lot of lashing across Dani’s now totally uncovered back. He had to have enough angles as well.

The lashing went on for a while, Dani’s back was covered with the merciless whipping marks. Jac was fierce as he sent the many tails leather whip crashing against his victim’s naked back. Dani cried out in pain, sometimes louder than others, making Jac wonder if anyone beyond the walls of the dungeon could hear those anguished cries. There was a moment that Jac thought she had enough, but he wasn’t done.

He thought of another step for those punishments. He decide to turn Dani around to face him and to have the lash fall on her breasts, her belly, even her face.

He proceeded with the idea and it took a few takes from different angles of the same action to satisfy him.

When he had enough angles of the turning Dani around, Jac moved on to subject his suffering actress to many, many more lashes.

At one point, after maybe too many lashes across her front, Dani bent down, her hips held by the chain around them, exposing her back to the cruel whip once again.

That new action was part of the scene, so it had to be repeated many times. Each time she had to face the whip a few times before bending down. After all the sufficient angles were covered, she was subjected to as many lashes to her back as Jac thought was necessary and, of course, from different angles.

Dani suffered the painful strokes on her bent back, feeling like she wanted to go down on her knees but the chain holding her would not allow that. Perhaps her mind was blacking out, perhaps she wanted to be Jac to stop.

After the director/torturer decided she had enough he called Cut and the painful action was over… for the day. That was just the beginning, things will only get worse for Dani from that moment on.

Jac told Dani that he will decide if that sequence was done after seeing it. Dani hopes that the sequence is done, she’s anxious to go on to the next sequence, knowing that it will be a lot more demanding, more painful, but she’s game.

Cruxlover24: Dani is lovely. I love the way she suffers. Her performance is always perfect, the way she gets into her characters are always really professional. The way she gives us the ride to feel her suffering is very convincing, she is a really good actress, not only beautiful, she is awesome.
Jackie1111: Obviously I could not agree more.

As I mentioned before, a million times, I’m recovering posts that were lost when our system came crushing down a few years back. Those posts bring memories of days past and some of them are too cool, like one post I had in September of 2013. So many things were happening that year. This is a bit of the post:

The month of September is gone. It was quite a month indeed. Dead But Dreaming, our new release, doing its rounds around the world, our other films are getting noticed, like Barbazul which was screened Saturday 28th at the Cinemateca with a Q&A and great audience response and it’s going to be at the PollyGrind Film Festival in Las Vegas; Maleficarum is breaking records and keeping itself ahead on the best seller position, Martyr was the subject of a conference on Semiotics at a major university and there’s going to be a workshop on the subject as well, Olalla is under production and looking really good, and Sirwiñakuy is the subject of discussions and new screenings at the Cinemateca.

You can read the entire post here: https://redfeline.com/chronicles/2013/09/16/olalla-dead-but-dreaming-barbazul-and-maleficarum-oh-and-martyr-and-yes-sirwinakuy/

Moving On the way we’re doing is not new, of course, it can be said that is almost routine. The one and present subject of discussions and concern was, is and it will be the resources we have, we had and we need to have to go on. It’s the story of the universe.

I bring all this up because we are preparing to release a few films, one of them the big production movie, 69 Anneé Érotique, and preparing the Crucified Four films but with enormous difficulties.

Jac had a nice meeting with Dani to discuss the shooting of the new film, where they also talked the future, leaving the production of what they referred to as the Big Movies on hold for now. The money is not there, not yet, so discussing them does not contribute anything to the conversation. They talked about the work we’re doing to increase our resources and Jac was very honest, he told her that so far there aren’t many reactions to our plans, at least in the places where we discuss them. He’s not counting on anything right now.

At this moment Dani is the one with some available time for possible work, so they agreed that they will shoot a couple of Red Feline Movies. The long postponed CruXbound III, the subject of the heading in this post, and at least another movie that Jac has in mind. The most recent release, Dani Suffers the Rack for Monxa Mala, is doing nicely, not overwhelmingly successful, but it has a good following and that release and a few of the others are keeping us afloat, a bit better than a floating piece of wood after the sinking of a ship.

Dani was curious about the progress of our efforts to raise money for the TV series and the documentary that is part of that series, and Jac informed her that the proposals have to be in the hands of their destinataires by the end of October and depending on how well the proposals are received we would go into the production of the series and the documentary sometime next year and for at least two years.

The ‘Moving On‘ deal might mean that for sometime we would not be producing the movies we’re known for, which doesn’t mean that we wont have any new releases, we will, lots of them; however, the time for The Crucified Four and Maleficarum Excruciati is now.

Looking back, there were plans for two sequels to Dead But Dreaming but the first one sold fine but not as it was expected so the funds were never there to produce them, Olalla, Justine and Pygmalion were produced between 2013 and 2015. And then Amy left, and the possibilities of ever making those sequels became almost nil. That shows us that not all of our plans come to pass.

What we have in front of us right now is a lot of work and little funds. That’s the reality and we have to work with that. If the efforts we’re making now to increase our income work well, then we’ll begin planning the big productions, if not, then we’ll continue with the small ones if Jac and Dani have the time for that and/or feel like making them.

In other words, the second half of the year is what is going to mark the future, just like the second half of 2005 changed everything, when in August Jac was asked to make the doc for NatGeo and in November of that year Amy joined Jac for the great adventure in film that lasted 10 years.

In October of 2015 when Amy went to a film festival in Mexico with her new film, Olalla, impressing everyone there to the point that she was asked to create the film faculty at a University in Seattle.

in November 2015 Amy announced she was living for the US… that’s ten years ago.

Sometime between now and the end of the year we’ll see where we go from here.

In short, we’re still setting things up to increase our funds. If we had everyday like yesterday, Saturday the 5th of June, when one person got 300 bucks worth of films, we would be very happy. That was nice, it happens sometimes, not all the time, but if we had enough people buying enough films, more than one, we could be preparing the production instead of looking for money. C’est la vie.