Upside Down – On The Ladder Part 2 – Red Feline Chronicles

Ligia spent the afternoon once more balanced upside down on the ladder, her body suspended in a now familiar but painfully uncomfortable position. The day offered a distinct contrast to the previous session—this time, the warmth was palpable, perhaps even edging into heat. The sky alternated between sun and clouds, creating an unpredictable, almost whimsical atmosphere. The weather’s capriciousness seemed to linger, making the experience unique and memorable.

The session got off the ground with Ligia carefully positioned on the ladder. Dani and Jac worked methodically, first securing her ankles to the top rungs, ensuring she remained stable and suspended. Once her legs were properly fastened, they moved to bind her wrists to the crossbar, completing the setup. With Ligia now firmly in place, she was fully prepared to endure yet another afternoon of challenge and endurance atop the ladder.

Once Ligia was securely positioned on the ladder, Jac meticulously prepared to reenact the entire sequence of torment from the previous session. Every step was repeated with deliberate care, ensuring the experience mirrored what had transpired before.

Meanwhile, Dani positioned herself on her back to capture dramatic low-angle shots of the scene, intent on documenting every detail from a unique perspective. In addition to operating the camera, Dani continued to guide and direct Ligia’s movements throughout the process, ensuring that each action was precisely executed and faithfully recorded.

Although Dani handled both the camera work and the direction of Ligia’s actions—a dual role that kept her thoroughly engaged and was, in fact, something she greatly enjoyed—ultimately, Jac maintained overall creative control of the shoot.

At one point during the session, Jac instructed Dani to obtain high-angle shots from the top of the ladder. While Dani was initially skeptical about the effectiveness of these particular angles, feeling they might not contribute positively to the visuals, she nevertheless complied, following Jac’s guidance as the director.

Dani continued filming diligently, ensuring that she recorded every necessary angle for the sequence. With focused attention, her camera work documented each crucial moment, bringing the unfolding events into sharp detail. Jac, meanwhile, carried out his role with unwavering intensity, administering the lashes without hesitation or mercy. His actions were methodical and relentless, pushing Ligia to her limits. As the lashes accumulated, the toll on Ligia became evident; her strength began to wane, and she gradually slipped toward unconsciousness under the relentless assault.

During the session, Dani took on her directorial role with particular attention to detail. At one point, she instructed Ligia to count each lash, continuing until she reached twenty. Only after reaching this specific number was Ligia to begin showing signs of fainting. Dani’s directive ensured that the progression of the ordeal would be clearly marked and synchronized with the filming process, allowing for precise documentation of Ligia’s reactions and the impact of each lash. This methodical approach underscored Dani’s commitment to capturing the sequence faithfully, aligning Ligia’s actions with the requirements of the shoot.

After a prolonged and taxing period of filming, Jac determined that the sequence was complete. He was satisfied that they had captured sufficient footage of the action, including every necessary angle as planned. To wrap up, a final long shot was needed: Ligia would remain under the lash until she eventually lost consciousness, after which Jac would lift her head to check if she was truly fainted or merely pretending. Satisfied she was not faking, he would administer a few more lashes, then turn and walk away, leaving her behind. Once the final moments were recorded and enough time had passed to allow for the closing shot, Jac announced the end of the scene, signaling the completion of their work for the day.

With the shoot concluded, Dani and Jac carefully untied Ligia and assisted her as she climbed down from the ladder. Remarkably, despite the intense and realistic ordeal she had just endured, Ligia remarked, “It felt better today, my feet didn’t hurt as much and I was more comfortable.” Her comment stood out as particularly unusual given the circumstances, highlighting the unexpected nature of her experience during the session.

With the conclusion of the second session of the week, Jac felt confident that the Ladder Sequence had reached its end. He believed that they had captured enough material to craft a powerful and dramatic third sequence for the film. Given the extensive footage and the intensity of the scenes recorded, it appeared that nothing further was needed for this segment. Looking ahead, the trio anticipated that their next meeting—scheduled for the last week of January—would focus on developing the fourth and final sequence of the film. This forthcoming session would mark the completion of “CruXbound I,” bringing the project to its culmination.

CruXtreme II – The Roommate is streaming now!

A beautiful young woman responds to an add for a room for rent. As she enters the house, she likes what she sees. The place is sunny, warm, there are plants. The man who owns the place offers her a drink, she must be thirsty. As she drinks, the woman explains that she’s looking for a job, she left her hometown in search for something better for herself.

After a few moments she feels dizzy, tired. “I’ll show you to your room” the man says. As they enter the dark room she notices that there’s no bed in the room, but she’s too faint to react. She can’t do much as the man takes her shirt off and bends her over what looks like a medieval rack, tying her wrists to the sides.

She found more than a room, she has entered a depraved lair where she will suffer the torments of hell at the hands of her new roommate.