{"id":872,"date":"2019-08-05T12:14:00","date_gmt":"2019-08-05T16:14:00","guid":{"rendered":"https:\/\/redfeline.com\/chronicles\/?p=872"},"modified":"2022-01-30T09:32:12","modified_gmt":"2022-01-30T14:32:12","slug":"a-commentary-on-monxa-mala-some-final-comments","status":"publish","type":"post","link":"https:\/\/redfeline.com\/chronicles\/2019\/08\/05\/a-commentary-on-monxa-mala-some-final-comments\/","title":{"rendered":"A Commentary on Monxa Mala: Some Final Comments"},"content":{"rendered":"\n

by Rich Moreland,<\/span><\/strong><\/em><\/p>\n\n\n\n

\u200bUnlike previous Jac Avila films, there is not much total nudity in Monxa Mala. For some viewers, this will be disappointing. Only Barbara and Julia get down to complete exposure. The others rely on loin cloths when the action gets rough. From my experience writing in the film industry, directors rarely push actresses to nudity if they are not amenable to that. Respecting boundaries is paramount.<\/em><\/p>\n\n\n\n

If you are a fan of a girl bound and bare, watch the scenes with Barbara on the wheel . . .

. . . and Julia on the ladder. They are worth the price of the film.<\/em><\/p>\n\n\n\n

\"MaleficarumMonxaMalaTheFilm_01051002.jpg\"<\/figure><\/div>\n\n\n\n

By the way, Daniela Borda and Simonne de la Riva are stars in the making. Both are \u201chot,\u201d to use a sexually charged term, and their acting is quite good. Daniela has an earthiness and Simonne an air of sophistication that offer contrasting interpretations of what BDSM sexuality is about. Here\u2019s hoping for more of both soon.<\/em><\/p>\n\n\n\n

\"MaleficarumMonxaMalaTheFilm_00593221.jpg\"<\/figure><\/div>\n\n\n\n

Also, Graciela Tamayo and Ines Copa represent a counter-balance to the Father\u2019s debauchery. They are guiding figures whose presence reminds to viewer of the goodness that the Church offers.

As for Mila Joya, this reviewer admits he has an enduring affection for her portrayal of tortured victims in Pachamama\/Decadent Films. She has a rich and sensuous resume to her name. Mila is superb with a quiet, gentle demeanor and a willingness to suffer for her art. Not only is this demure sweetheart talented, but she fills the screen with a body to die for. Don\u2019t take my word for Mila\u2019s commanding presence on-screen.

Check out two previous Jac Avila films that feature her solitary suffering in the chamber of pain. They are\u00a0Le Marquis de la Croix (reviewed on this blog: April 29-May 5, 2017)<\/strong>\u00a0and her newest offering, Mila a la Croix.<\/em><\/p>\n\n\n\n


https:\/\/3hattergrindhouse.com\/2017\/04\/29\/le-marquis-part-one-the-museum\/<\/a><\/p>\n\n\n\n

\"CruxMila_CR0387_00005702.jpg\"<\/figure><\/div>\n\n\n\n

In conclusion, no commentary on a Pachamama\/Decadent production is complete without a final mention of Amy Hesketh. As referenced in Part One, she\u2019s not cast in this film but her presence is evident in the story. And, of course, the whipping scenes carry her stamp. Amy is the standard for the visual feast that is Monxa Mala and deserves a special nod from all of us.

* * * After rigorous filming and lots of \u201ctorture,\u201d the cast enjoys a well-deserved party. Congratulations on a cool and entertaining production!<\/em><\/p>\n\n\n\n

Read More of\u00a0A Commentary on Monxa Mala: Part Two
https:\/\/3hattergrindhouse.com\/2019\/07\/16\/a-commentary-on-monxa-mala-part-two\/<\/a><\/span><\/strong><\/p>\n\n\n\n

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