{"id":6949,"date":"2026-01-08T10:45:12","date_gmt":"2026-01-08T15:45:12","guid":{"rendered":"https:\/\/redfeline.com\/chronicles\/?p=6949"},"modified":"2026-01-08T11:05:52","modified_gmt":"2026-01-08T16:05:52","slug":"cant-wait-for-the-next-film","status":"publish","type":"post","link":"https:\/\/redfeline.com\/chronicles\/2026\/01\/08\/cant-wait-for-the-next-film\/","title":{"rendered":"Can’t Wait For The Next Film!"},"content":{"rendered":"\n

Some of our fans express a strong desire for films to be created as if by magic\u2014envisioning a process where a concept becomes a fully realized film like instant coffee and without any obstacles. The hope is that such immediacy would satisfy everyone\u2019s wishes.<\/p>\n\n\n\n

If we could think of a film and like a miracle it comes to life in seconds, minutes, hours, unimpeded, the filmmaking process would seem magical and effortless. Such an experience would fulfill the hopes of all who long for immediate realization of creative ideas, offering a world where concepts are instantly transformed into finished films without delay or obstacles. That doesn’t happen, not even with AI.<\/p>\n\n\n\n

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The journey from the initial spark of an idea to the completion of a film is a lengthy one. Once a concept is conceived, it often takes months\u2014or even years\u2014before the finished product is ready to be shared with audiences. This extended timeline is a consistent reality in the world of filmmaking.<\/p>\n\n\n\n

As a fan, it is entirely normal to experience the wait for the next season of a beloved Netflix series. The anticipation builds as viewers patiently look forward to new episodes, often waiting two or three years before the next season appears on their favorite streaming channel. This pattern of waiting is simply a part of life for both creators and fans alike.<\/p>\n\n\n\n

Acknowledging this reality helps set expectations and reminds us that the creative process, though time-consuming, is essential for producing the stories we cherish.<\/p>\n\n\n\n

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wanttoknowmore<\/mark><\/strong> I agree AI is still not at the full film stage. However, as I stated before, it can be used to augment scenes with background or non-central characters – for example, a crowd watching a crucifixion as viewed from the victim looking down.<\/mark><\/em><\/p><\/blockquote>\n\n\n\n

We are currently exploring the use of artificial intelligence for scenes and sequences that require a large number of people or elaborate constructions from specific historical periods. This experimentation aims to address the logistical challenges involved in creating such complex environments on film.<\/p>\n\n\n\n

For scenes where a significant number of people are depicted watching a character\u2014such as a view from the perspective of someone on a cross\u2014it is essential to set up the camera behind the character. The shot needs a clear point of reference, which could be the character\u2019s head, shoulders, or arm, to establish the perspective of those below or within the scene. While arranging this point-of-view during production is not difficult, it does require careful planning and coordination.<\/p>\n\n\n\n

To utilize AI effectively in these scenarios, the point-of-view shot with a reference to the person on the cross must already exist. In other words, the necessary footage must be captured during production to serve as the basis for further enhancement using AI technologies.<\/p>\n\n\n\n

It doesn’t mean that AI will actually generate the images the director has in mind. Maybe, just maybe, after many tries. Like the test below with one picture from Seditiosa<\/mark><\/strong>.<\/p>\n\n\n\n

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