{"id":6737,"date":"2025-11-16T21:45:09","date_gmt":"2025-11-17T02:45:09","guid":{"rendered":"https:\/\/redfeline.com\/chronicles\/?p=6737"},"modified":"2025-11-16T21:45:11","modified_gmt":"2025-11-17T02:45:11","slug":"ai-discoveries-part-2","status":"publish","type":"post","link":"https:\/\/redfeline.com\/chronicles\/2025\/11\/16\/ai-discoveries-part-2\/","title":{"rendered":"AI Discoveries Part 2"},"content":{"rendered":"\n

In large-scale film productions, elaborate special effects techniques have enabled filmmakers to depict impossibly spectacular locations and events to create visually stunning scenes at great expense. <\/p>\n\n\n\n

AI<\/mark><\/strong> offers the possibility of creating images that are difficult and costly to do in a production, specially if the ideas for the movie are ambitious, period films, for instance, AI<\/mark><\/strong> can be used to create the type of locations that would cost enormous amounts of money to build and, in most cases, it would be impossible to set up. <\/p>\n\n\n\n

Currently, artificial intelligence technology presents significant challenges when it comes to constructing film scenes or sequences with a comprehensive range of camera shots necessary for effective storytelling, it struggles to generate long shots, medium shots, and close-ups of the same action and with the same characters and even the same background, all of which are essential components in cinematic narrative. <\/p>\n\n\n\n

For example, it is complicated for AI<\/mark><\/strong> to create good shots for a convincing crucifixion scene\u2014one that accurately portrays the nailing of an individual’s hands and feet\u2014 it requires multiple shot types and consistent action and AI<\/mark><\/strong> finds it difficult to deliver such visual continuity and detail across various camera angles.<\/p>\n\n\n\n

To Illustrate the point to himself, Jac used a couple of shots from Le Marquis De La Croix<\/mark><\/strong>, where Mila, playing the gypsy woman Zinga<\/strong>, is crucified, after a lot of torture, by Le Marquis.<\/p>\n\n\n\n

To get a shot for the nailing of a hand he used the following still picture from the film.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

The description, or prompt was the following: Ancient Rome. A close shot of a hand pressed on a wooden log. The tip of a large nail is on the palm of the hand. A hammer comes crashing down on the head of the nail, the nail sinks into the palm of the hand, Blood blows out of the palm.<\/mark><\/em><\/p>\n\n\n\n

The result was not bad. AI<\/mark><\/strong> did its work based on the simple description and using the still picture from the film. <\/p>\n\n\n\n

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