{"id":570,"date":"2020-04-04T17:35:00","date_gmt":"2020-04-04T21:35:00","guid":{"rendered":"https:\/\/redfeline.com\/chronicles\/?p=570"},"modified":"2022-01-19T07:34:46","modified_gmt":"2022-01-19T12:34:46","slug":"theres-no-break-for-the-scourge","status":"publish","type":"post","link":"https:\/\/redfeline.com\/chronicles\/2020\/04\/04\/theres-no-break-for-the-scourge\/","title":{"rendered":"There’s no break for the scourge!!"},"content":{"rendered":"\n

\u200b
Dani’s scourging goes on into the night. Her flesh torn, her mind near madness. The next to last scene of Dani suffering the scourge bent backwards over The Wheel<\/strong>, her legs and arms spread wide, lasts a long time, long lasting minutes of screen time. The entire film is over an hour. The shooting to of every scene took days. One or two days for each set up of the camera. For two hours a day, maybe 5 days, Dani was set in that one position and flogged, mercilessly. At the end of each day, after she showered, Jac offered her some tea and pastries. They talked about what they did and what they were going to do next. Half an hour later, Dani was off to host her TV show, smiling and commenting on rock and roll, as if nothing had happened that day. As if she hadn’t been stretched over the nasty wheel, naked, suffering the harsh kiss of the whip on her tender skin.<\/p>\n\n\n\n

\"CruXtremeITheFilm_00590126.jpg\"
Download CruXtreme I – DV or HD version<\/strong>
http:\/\/bit.ly\/2SGbtWS<\/a><\/figcaption><\/figure>\n\n\n\n

Thanks Margot for your continuing feedback. After viewing both “Red Feline on the Cross” and “Red Room”, my clear impression is that you met your ambitions: “Red Room” is undoubtedly far more cruel (and therefore brutal) than “Red Feline on the Cross” although Camille’s ordeal in that is quite exciting as well. In “Red Room”, the use of the ‘spiked horse’ upon which which the bleeding body of Jane is placed to receive further merciless whipping on both her front and back torso PLUS, of course, the extreme cruelty of the barbed wire being fastened around her head, tearing into her flesh and causing copious flows of blood down her suffering face blood to streak her already agonized visage. Those 2 sequences made the comparison, for me. fairly straightforward. You mention Amy’s training – was that session of Amy’s onscreen entry in the BDSM world of Red Feline recorded?<\/span><\/em><\/p>ranger1<\/span><\/strong><\/cite><\/blockquote>\n\n\n\n

Red Room<\/span><\/strong> was recorded sometime in 2007. During the previous year, Amy and Jac were going back and forth between Bolivia and the US and working on three documentaries. One night, during those traveling days, they were staying at a hotel, the camera was there and there was a column in the middle of the room. So, they decided to play a bit and that was the very first time Amy was in front of the camera under torture. Later on, back in the city where they were residing, still temporarily, they set up the bedroom to continue the training. Shortly after that, they painted the room red, built the props, set up the chains and the ladder and worked on the first film for Red Feline Pictures<\/span><\/strong>, they titled it Red Room Or Desperately Seeking Red Feline<\/span><\/strong>.<\/p>\n\n\n\n

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I think I remember in recent days reading online a comment ( I think by Jac) that an edited version of Martyr (with only the scenes of St. Eulalia’s suffering) was to be released. I would purchase that RF production as I found the background scenes to be most distracting from my enjoyment of the film. Is my memory playing tricks on me or is such an edited version in the release pipeline, please.<\/span><\/em><\/p>ranger1<\/span><\/strong><\/cite><\/blockquote>\n\n\n\n

Yes, your memory is correct. There’s the intention of releasing an Only Tortures<\/strong> video with scenes from Martyr<\/span><\/strong>. It will include unreleased scenes, one with Natacha suffering her own crucifixion. All the torture scenes are a lot longer than they are in the film itself. What you consider background scenes it is actually the movie. The torture scenes are illustrative of Camille’s personal drama. Perhaps a film like that was not exactly what our core audience loves to see, but it had a great effect outside of its intended niche. The film is part of two academic studies, it was in international film festivals, a woman wrote a book about it, I don’t know if it was published, and even before its release it was part of an academic conference at a university in the US. Most importantly, Amy saw Martyr<\/span><\/strong> at one of the film festivals and made her want to be Camille, so she joined Jac for more than a decade long adventure in film making and torture.<\/p>\n\n\n\n

\"Martyr015228.jpg\"<\/figure><\/div>\n\n\n\n

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