{"id":1060,"date":"2019-01-07T13:36:00","date_gmt":"2019-01-07T18:36:00","guid":{"rendered":"https:\/\/redfeline.com\/chronicles\/?p=1060"},"modified":"2022-01-31T14:26:37","modified_gmt":"2022-01-31T19:26:37","slug":"ranking-our-films-in-2018-iv","status":"publish","type":"post","link":"https:\/\/redfeline.com\/chronicles\/2019\/01\/07\/ranking-our-films-in-2018-iv\/","title":{"rendered":"Ranking Our Films In 2018 – IV"},"content":{"rendered":"\n

Fourth in 2018: Le Marquis De La Croix(177 points)<\/strong>
http:\/\/bit.ly\/2SD8YmV<\/a><\/span><\/p>\n\n\n\n

Amy, Jac, Mila and the team had been very busy since December 2010 with two big production budget films,\u00a0Maleficarum<\/span><\/strong>\u00a0and\u00a0BARBAZUL<\/span><\/strong>. When they were done with\u00a0Maleficarum<\/span><\/strong>\u00a0Jac thought that it would be a good idea to use the amazing dungeon for another movie. They could still pay a month rent for a quikie. Jac had a lingering idea, a film he wanted to shoot with Amy,\u00a0Le Marquis De La Croix<\/span>.<\/strong><\/p>\n\n\n\n

Amy had another idea, why not make\u00a0Le Marquis<\/span><\/strong>\u00a0with Mila instead and with herself as Director. She had lots of fun directing both Jac and Mila in\u00a0BARBAZUL<\/span><\/strong>\u00a0and she felt there was something very intense between them that could work very well in\u00a0Le Marquis<\/span>,<\/strong>\u00a0the same overpowering presence Jac had over poor, defenseless Mila.<\/p>\n\n\n\n

Jac liked the idea. Without a script, but with a good solid idea of what to do, they set out to redecorate the set and made The Rack the main instrument in view. Before the month of March was over Mila was whipped, beaten, racked, Strappado, whipped again and crucified and more, all for the whims and pleasures of\u00a0Le Marquis De La Croix<\/span><\/strong>.<\/p>\n\n\n\n

\"LeMarquisTeaseCaps00212021.jpg\"<\/figure><\/div>\n\n\n\n

The story:<\/span><\/strong><\/p>\n\n\n\n

The wealthy marquis, sentenced to his prison confines (luxurious as they are), writes lurid accounts of his sexual imaginations. Fortunately for his perverse addictions, an occasional condemned female criminal is brought to him for a price. Such is the case with Zynga, a gypsy girl sentenced to death, as the marquis tells us, for \u201cthree crimes: murder, theft, and arson\u201d (borrowed incidentally from the Marquis de Sade\u2019s 1791 novel, Justine). The film explores the tortures Zynga endures and her eventual demise. The story is presented as a narration extracted from the marquis\u2019 writings in his cell. As he completes one torment and plans the next, the aristocrat returns to his desk to record his thoughts and lets the viewer into his mind via voice over. The bound and naked Zynga is the consistent background image and the main motif throughout the film.<\/span><\/em><\/p>\n\n\n\n

\"LeMarquisTeaseCaps00301910.jpg\"<\/figure><\/div>\n\n\n\n

Rich Moreland wrote in a 5 part analytical review:<\/strong>
http:\/\/bit.ly\/2CRpHxC<\/a><\/span><\/p>\n\n\n\n

In Praise of Mila<\/strong>

Le Marquis is Mila Joya\u2019s film. It\u2019s hard to imagine any other actress as Zynga, the gypsy. A lissom, statuesque girl with a body that begs to be displayed in all its glory, the native Bolivian is the perfect torture victim; she graces every scene with an eroticism that is never overtly intentional but commands every cinematic moment. In bringing Zynga to the screen, Mila whimpers, cries out, and looks pleadingly at the marquis, all the while amusing his perversities. Her most talented feature is her eyes. The pain and desperation she projects through them equips her to excel in this type of role.

Pay particular attention to how Mila handles the humiliation of hunger. Wrists and ankles shackled, she slithers on the floor to nibble a scrap of bread her tormentor casually tosses aside in an arrogant gesture of contempt. Mila fashions Zynga\u2019s sadness into an image so imposing that the camera can\u2019t stay away. Cinematographer Miguel Inti Canedo\u2019s lens absorbs the native Bolivian\u2019s agony while celebrating her beauty in shots that offer frequent close-ups that place the viewer into the scene with her.

Developing the character of Zynga requires few lines of dialogue but a ton of emotion and suffering. Mila accomplishes both while physically coping with whippings that leave real marks on her flesh. Minutes of filming are spent framing her contortions that become the overriding images of Le Marquis.

As mentioned previously, they are the frozen moments that stamp the film with the high honor of pure artistic expression. For the record, Mila\u2019s story reminds me of an icon of Hollywood\u2019s Golden Age, Lana Turner, who at sixteen skipped school and headed to a local drugstore where the right person caught a glimpse of her. It\u2019s the stuff of legends, of course, revealing that the opportunity of discovery is never far away.<\/span><\/em><\/p>\n\n\n\n

\"LeMarquisTeaseCaps00452422.jpg\"<\/figure><\/div>\n\n\n\n

Get Your Download of Le Marquis De La Croix<\/strong>
http:\/\/bit.ly\/2SD8YmV<\/a><\/p>\n\n\n\n

PRE BUY MALEFICARUM MONXA MALA AT A DISCOUNT PRICE.<\/strong>
http:\/\/bit.ly\/2ELYVZC<\/a><\/p>\n\n\n\n

Join the Red Feline Club and get on the A list to receive the film ahead of its END OF MARCH release!<\/strong>
http:\/\/bit.ly\/2k4LLwc<\/a><\/p>\n\n\n\n

The club will soon feature the Video of the Month<\/strong>, a new streaming service!<\/p>\n\n\n\n

You can join the supporters club HERE<\/strong>
http:\/\/bit.ly\/2N6zfqL<\/a><\/p>\n\n\n\n

DOWNLOAD our Films!<\/strong>
http:\/\/bit.ly\/1JADqCK<\/a><\/p>\n\n\n\n

Get any of our DVDs<\/strong>
http:\/\/bit.ly\/1PpswWE<\/a>\u200b<\/p>\n","protected":false},"excerpt":{"rendered":"

Fourth in 2018: Le Marquis De La Croix(177 points)http:\/\/bit.ly\/2SD8YmV Amy, Jac, Mila and the team…<\/p>\n","protected":false},"author":1,"featured_media":1114,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/posts\/1060"}],"collection":[{"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/comments?post=1060"}],"version-history":[{"count":2,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/posts\/1060\/revisions"}],"predecessor-version":[{"id":1115,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/posts\/1060\/revisions\/1115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/media\/1114"}],"wp:attachment":[{"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/media?parent=1060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/categories?post=1060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redfeline.com\/chronicles\/wp-json\/wp\/v2\/tags?post=1060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}